#are they academy worthy movies

[thomas-mvller]

I wish people would understand that yeah, some movies are meant to be rated in every aspect possible (the so called "academy award worthy"), but some movies are made just... for the purpose of fun. Just that. They're meant to be mostly lighthearted, warming, entertaining so people can disconnect from all the stress for an hour and a half and just have fun. Said movies don't need a harvard level analysis in terms of direction, storyline etc like jesus henry chrysler have fun for once in your lifetime it's not that deep fam omfg

[jtem]

No comment

[harleybarbarahandler]

Part of me is starting to think Margot must have (probably rightfully) pissed off someone in power behind the scene, cause the amount of time she hasn’t got the recognition and credit she deserves is baffling

I wouldn’t be surprised - margot isn’t afraid to stand up for herself as a producer and doesn’t seem to care how important the opponent in the argument is when she’s going to bat for for her creatives (see: when one of the Oppenheimer producers told her “I think it’d be better for you if you moved barbie’s release date” and she responded “if you’re so scared to go up against us then YOU move your date”), it isn’t unreasonable to think that she did that to someone with a lot more power and influence who didn’t take it kindly

but at the same time I do think there’s some classic old-fashioned misogyny at play here re: barbie, and also re: wolf of Wall Street which in hindsight she should’ve got a nom for as a brand new (to Hollywood) actress going toe-to-toe with dicaprio and absolutely nailing it

though to be fair, misogyny could link into someone with power being pissed off at her anyway considering y’know she’s a young pretty woman and a lot of older powerful men do not want to hear her opinions or see her as a person with agency/anything other than a sex object so

(babylon is a different kettle of fish, I think she was dragged down by how poorly the movie was received despite her giving an incredible performance, but it definitely wasn’t fair to punish her because of the movie when she did an amazing job)

these are all just my opinions of course and I know nothing about the film industry so 🤷

[olderthannetfic]

A lot of female protag books I've seen in recent years aren't really fandom worthy? At least not fanfic worthy, not sure about the rest of fandom. I notice it's often a very explosive boom of popularity, and there is a lot of buzz but almost no fanfics for the books, movie or show at all. They're power fantasies? But they don't serve anything else that really captivates people to stick around and write.

--

Harry Potter blinded everyone to the fact that books very rarely get big fic fandoms. Yeah, there are a few exceptions, but it's just not something I would expect with 99% of books that are fandom-bait.

The reason is simple and has nothing to do with the books' content: One printing of a novel might be like 20k. A bestseller sold 5k in a week. An unpopular tv show "no one" liked had a million viewers per episode.

There's a real survivorship bias in talking about what generates a fic fandom. We can work backwards and say what generally doesn't generate one, but having all of the traits of the big fandoms' canons tells you nothing about whether this other thing will get a fic fandom.

Here are the top few book fandom sections on FFN:

Harry Potter (847K)

Twilight (222K)

Percy Jackson and the Olympians (80.5K)

Lord of the Rings (58.3K)

Hunger Games (46.4K)

Warriors (27.1K)

Mortal Instruments (17.5K)

Maximum Ride (17K)

Hobbit (13.1K)

Phantom of the Opera (12.8K)

Chronicles of Narnia (12.8K)

Gossip Girl (10.4K)

A song of Ice and Fire (10.1K)

Outsiders (9.9K)

Vampire Academy (8.7K)

Divergent Trilogy (8.4K)

Song of the Lioness (8.0K)

Inheritance Cycle (6.3K)

Look at how those numbers plummet and look at how many of these things have major, popular adaptations with a bajillion viewers.

People are always like "But Twilight...", but the existence of a few freak outliers doesn't mean other books are going to generate that kind of fic or twimoms or people turning Forks into a theme park.

So these recent books' content might contribute to them not taking off in this particular way, but lack of fic doesn't really need an explanation.

[jbaileyfansite]

Critics Reactions to Jonathan Bailey's perfomance as Fiyero (Master Post)

“Dancing Through Life,” on the other hand, is the adaptation’s biggest musical accomplishment. Although Wicked is primarily about the relationship between these two women, the charming prince Fiyero always threatens to steal the show, and never more so now that Bridgerton heartthrob Jonathan Bailey is playing him in a dazzling blue/gold suit. Setting this song in a library full of rotating, cylindrical shelves allows the dancers to really show off their moves, while Bailey succeeds at infusing the number with his personality as he flirts with men and women alike. Unless Wicked really hits big with the Academy, it’s unlikely that Bailey will score a Best Supporting Actor nomination at the Oscars, but surely he deserves some honor for being the sexiest actor on Earth at the moment — hope you’re taking notes for next year, PEOPLE! [x]

And Bailey, from his boot-toe book choreography to ovation-worthy gymnastics, is hoofing his way through every step of “Dancing Through Life;” there will be deserved awards attention coming Grande and Erivo’s way for Wicked, and Bailey should be as much a part of the conversation. I can’t remember the last time a performance was so instantly charismatic, the kind of movie-star heist—he nearly runs away with the film during that musical number—that makes going to the cinema so exciting. [x]

A character I was worried about going into this. Jonathan Bailey, he plays Fiyero, who is this kind of just over the top cocky, flamboyant, kind of douchey, but in a fun way character. And there’s just so much there that it could be really easy to mess up. And I didn’t know that he was into song and dance performance, because I’ve only seen him in Bridgerton, so I didn’t know what else was in his repertoire. But I feel like he absolutely crushed that character. You cannot help but love everything he does when he’s on screen. He nails it. [x]

Jonathan Bailey oozes sex appeal and charisma as Fiyero Tigelaar in an utterly swoon-worthy performance, unleashing his West End talents with the dazzling “Dancing Through Life” sequence that cements himself as a true superstar, while his chemistry with both Erivo and Grande is off the charts. [x]

I have to give Jonathan Bailey his freaking flowers. I thought he was going to be good. He got an Olivier award for Company and if you haven't, there is a video of him singing The Last Five Years from years ago….So I was like I think he's going to do a good job, he's also so charming and everybody loves him. I was not prepared to see what we got. The perfomance, the vocals, the gymnastics, the charm, the way he says 'you're perfect' is just engrained in my brain in the right way. And he's so…like he would have chemistry with a chair, I'm convinced. Everyone in 'Dancing Through Life' is now pregnant and so am I. His entire arc of Fiyero being like the daft person and then becoming who he becomes is so clear and every choice, and look, nuances he has…it is calculated but effortless. [x]

Jonathan Bailey delights in the supporting cast as her love interest Fiyero, also offering a fantastic interpretation of someone who hasn’t been called upon too often to be serious but might be willing to give it a try. [x]

“Dancing Through Life” triumphantly translates the joy of seeing Wicked live: Dancers perform acrobatics in rotating circular bookshelves, Jonathan Bailey (who I swear has chemistry with every single person on the planet) taps his way across books with a flippancy perfectly suited to the charismatic prince Fiyero, and the ensemble works (and sings!) in harmony. [x]

Jonathan Bailey uncorks an outrageous scene-stealer as the heterocamp Fiyero, a performance to put alongside Cary Elwes in The Princess Bride. [x]

Chu's usual choreographer, Christopher Scott, delivers again with vibrant, inspired moves, particularly in the elaborate "Dancing Through Life," which takes place in the school's rotating, multilevel library. "Bridgerton" star Jonathan Bailey gets a chance to show off his musical theater background here, and he's terrifically charming as the glib Prince Fiyero, the object of both Elphaba and Galinda's romantic interests. [x]

The true surprise, even more than Grande, is Jonathan Bailey as Fiyero, the charming prince with hidden depths that both Galinda and Elphaba gravitate towards. Bailey has such a light comic touch to him and his performance of “Dancing Through Life” might be the best part of the movie, and the most ambitious set piece in the film. [x]

The true standouts are three-fold, with Grande, Erivo, and Bailey embracing the tonal shifts with unbridled glee. […] Fiyero has major bisexual vibes, and chemistry with every single character. Bailey’s take on “Dancing Through Life” lets the Olivier Award-winning actor unleash his sex appeal on a library full of unsuspecting Oz-ites. [x]

Jonathan Bailey adds renegade bravado as the devil-may-care Prince Fiyero, selling the character's journey from apathy to activism with aplomb. [x]

Elsewhere, British heartthrob Jonathan Bailey steals the show as the vain Prince Fiyero Tigelaar, a love interest for both young witches. Bailey effortlessly dances and sings his way through the film’s most demanding musical numbers. [x]

It's Jonathan Bailey who threatens to steal the show though, instantly charming during Flyero's meet-cute with Elphaba. Anybody not swooning already will be with his excellent 'Dancing Through Life' number, Bailey's palpable charisma shining through the extended number which culminates in a reimagined Ozdust Ballroom. [x]

One more: Jonathan Bailey. His dashing Prince Fiyero is one charming prince, so cheeky that he will have boys and girls everywhere swooning. And swoon they do, within the film — it’s a small thing, and not to get all #RepresentationMatters about it, but I was delighted to see Wicked make very clear that both male and female Shiz students are equally lustful whenever Fiyero’s around. There are some deliciously flirtatious moments between Fiyero and some guys during “Dancing Through Life,” and it had me thinking about the fact that, for as fabulously gay as musical theater so often is, you don’t usually see that kind of thing in a massive mainstream film. Kudos all around. [x]

The standout to me: I’m going to go with Jonathan Bailey as Fiyero. He pops up into the film and immediately comes off so cocky, but so charming and likable. Just everybody he talks to, he has this fun rapport and chemistry with them, and just brings to life every scene that he’s in, whether it is just dialogue, joking, dramatic or his big dance number in the library. He’s so good. And it’s one of those things where I am not super familiar with him outside of this, and you just see him and you go - man, that guy is a star, this guy is really good. [x]

And while Wicked is all about is two leading ladies, we must spare a moment or several for Jonathan Bailey’s virile, twinkly Fiyero, who quite literally leaps onto the screen on his horse while clad in tight britches and sturdy riding boots. He’s charming in a way I never found the rather bland character to be onstage, bringing vibrancy to the role as a big screen heartthrob who tears up the floor (and library books) with his aggressive dancing. Now it makes sense that he could turn the head of both Glinda and Elphaba. A West End veteran himself, Bridgerton actor Bailey also boasts an exemplary voice – the casting directors truly spoiled fans here – and there are no exceptions made when every number is treated as a potential show-stopper. [x]

In terms of supporting performances, Bailey’s absolutely dashing and magnetic, giving a star-making performance – a la Rupert Everett’s in MY BEST FRIEND’S WEDDING. He lights up the screen as the object of romantic affection in screwball-esque scenes shared with Grande as much as he does during the library set number leading “Dancing Through Life.” [x]

Bailey is a charming Fiyero, using all of his Bridgerton swagger in exactly the right ways. He arrives well into the term, a transfer student who has reached the end of the number of schools to be kicked out of. Fiyero is sometimes treated as a throwaway character–the generically hot love interest for two girls to feud over. But this Bailey’s Fiyero will not be so easily dismissed and his “Dancing Through Life,” plays well when accented by talented professional dancers that make the entire scene pop. [x]

Then there’s Jonathan Bailey, who manages to steal the show from his very entrance. Not since Dan Stevens first showed up in The Guest, or perhaps when Glenn Powell out-cruised Tom in Top Gun: Maverick, has there been this much tantalizing testosterone employed in such an effective way. Bailey’s bravura take on Fiyero Tigelaar, the Winkie Prince who sings about “Dancing Through Life,” is by far one of Chu’s most accomplished moments of filmmaking, managing to make the character simultaneously seductive and disarmingly silly. It’s also a moment in Wicked‘s storytelling where there’s fun to be had, and the massive sequence is absolutely a joy that by far exceeds the smaller scope of the on-stage presentation. [x]

Jonathan Bailey is so very “that guy.” His Fiyero doesn’t have the foppish facade of the original. His portrayal makes us aware he’s more complex than he appears from the moment we meet him and his talking horse, but as a Prince Charming, his rizz is high. Who wouldn’t fall in love with Bailey (and who hasn’t)? [x]

Bailey as Fiyero is the ultimate casting as the Lord becomes a Prince. He delves into Fiyero’s shallowness and his moments between Elphaba and Galinda are so starkly different as Bailey plays into both relationships organically with wonderful chemistry between all three. [x]

Jonathan Bailey has a standout musical number with “Dancing Through Life,” and he manages to have chemistry with everyone on screen as the handsome Fiyero. He’s fiercely flirtatious and fun to watch. [x]

Jonathan Bailey could have chemistry with an inanimate object. That man absolutely shines in the role of Fiyero. [x]

But, it’s Bailey’s Fiyero (surprise!) who steals the movie’s second-best scene: the elaborately choreographed “Dancing Through Life.” [x]

Galinda immediately sets her sights on Prince Fiyero (Jonathan Bailey, bringing an outstanding amount of Kenergy to his role). […] And there are certain sequences, specifically Galinda’s signature number “Popular” and Fiyero’s “Dancing Through Life”, where everything does click together nicely and the film suddenly sparks into life. [x]

Jonathan Bailey is absolutely swoony as the flirty Fiyero. While Wicked: Part One is just the beginning of his story, you can already see how Elphaba’s impact is starting to influence him to think more of others versus being shallow and self-consumed. [x]

Jonathan Bailey‘s Fiyero is a joy to watch, and you can see in his physicality and the sparkle in his eyes who he is destined to become. Once we see him dance and sing, he sweeps everyone off their feet. [x]

Fiyero gets one of the film’s most appealing numbers, brilliantly delivered by Bailey, “Dancing Through Life”, as the dashing Prince disturbs the peace of Shiz’s library to entice his classmates to join him for an evening of fun at “the most swankified place in town”, the Ozdust Ballroom. With Bailey gleefully taking on Christopher Scott characterful, silky smooth, choreography, he goes on to offer us seductive glimpses of the more substantial man hiding behind his mask of superficiality. [x]

I can’t say the word scene-stealer without talking about Jonathan Bailey as Fiyero. Give Jonathan Bailey awards, give him every role … for being so amazing in this movie. He is just so effortlessly cool and charming and funny, but I love the heart that he gives certain moments … Fiyero just lives with me now … He enters this movie giving me one of my favourite performances. [x]

The supporting cast proves equally magnificent. Jonathan Bailey’s Fiyero exudes oodles of charisma and a strong voice, easily proving he can handle Christopher Scott’s limber choreography while simultaneously putting his own stamp on it.  While his character plays a more major role in the second film, his introduction, through the stunning “Dancing Through Life” number, leaves a lasting impression and makes for a compelling counterpoint for both leading ladies. [x]

Not to be outdone, Jonathan Bailey of Bridgerton fame plays Fiyero. The heartthrob, almost brainless hunk, who arrives at Shiz and drives so many of the students crazy with lust. Now Bailey’s carefree, but passionate, and decisive in both singing and choreography. With his signature song “Dancing Through Life”, Bailey gets to showcase some awesome footwork, along with amazing vocals, for a scene that is just mesmerizing thanks to the energy and the camera work. [x]

That said, it's BRIDGERTON (2020) star Jonathan Bailey who winds up stealing most of the scenes he's in as the Prince, Fiyero Tigelaar. Bailey is fantastic as the Prince, bringing an entertaining sense of levity and delight to the film. This is to the point that Bailey's absence in the film's finale is quite noticeable, with the film feeling somewhat dull without his presence. [x]

Elsewhere, Jonathan Bailey is charismatic as the dumb-but-charming Fiyero, and there’s a campness to his song-and-dance number, “Dancing Through Life” that will stir the loins in a whole range of viewers. [x]

One standout is Jonathan Bailey as Fiyero, the Winkie prince who quickly makes a mark on Shiz after his enrollment. Bailey is not only charming and funny throughout, but exudes an energy that many of the other supporting players simply lack. [x]

Supporting roles are strong too, most notably from Jonathan Bailey as Fiyero, full of bravado and fun, as well as a hefty dose of yearning – and fans of Bridgerton will know that no one does yearning like Bailey. His 'Dancing Through Life' is a blast but he's just as powerful in the film's quieter moments as his chemistry with Elphaba burns. [x]

As for the supporting cast, Bailey absolutely shines in his biggest film role to date. Much like Galinda, Fiyero is initially privileged and arrogant, but Bailey instils him with so much undeniable charm that you can easily understand why literally everyone at Shiz is falling under his spell. The seeds are sewn for Fiyero to open up in Part Two, but, for now, Bailey nails it as a seemingly one-dimensional hunk with hidden layers to explore. [x]

The film’s biggest strength is its perfectly cast triple-threat performers – Cynthia Erivo as Elphaba Thropp, Ariana Grande-Butera as Glinda Upland and Jonathan Bailey as Fiyero Tigelaar, a handsome prince whose subplot is best not spoiled. […] The charismatic Bailey, Emmy-nominated for “Fellow Travelers,” is known as the oldest son Anthony in the “Bridgerton” TV series, but in England, he is also an accomplished musical theater performer. He won an Olivier Award as Best Supporting Actor in a Musical for playing Jamie in the revival of “Company” in 2018. Fleet-footed and a nimble vocalist, he gives Fiyero an allure that wasn’t initially apparent on stage. [x]

Meanwhile, Jonathan Bailey channels his incredible Kenergy to bring the effortlessly charming Fiyero to the screen, with his fun take on “Dancing Through Life” almost stealing the show (someone please give him his own musical!) [x]

The same goes for Fiyero as Jonathan Bailey who makes his male lead into a much stronger character by leaning into the sobering moments as strongly as the lighter ones. [x]

Another pleasant surprise was Bailey as Fiyero. Best-known for his role in “Bridgerton,” Bailey isn’t as well-known for his singing chops, but he deftly carries one the most dazzling musical numbers of the whole show, “Dancing Through Life,” serving up both impressive vocals and dancing. Beyond his musical talent, Bailey is charming and roguish as the Winkie prince, while hinting that there’s a little more to him beyond his care-free persona. Bailey also has the unique ability to have chemistry with practically anyone he’s a romantic lead with, so he has great chemistry with both Grande and Erivo. The few, briefly swoon-worthy interactions between Fiyero and Elphaba specifically will likely have fans excited to see Fiyero and Elphaba’s relationship develop in “Wicked: Part 2.” [x]

[a-d-nox]

pac/pap: message from your future spouse/partner

take what resonates leave what doesn't - nothing is 100% for you because these aren't personalized so please no angry comments or dms about what i am saying not being a good fit for you or that you "don't claim" just keep scrolling if that is the case. be kind, self reflect, and have fun.

last pac/pap: what energy should you bring with you into the new year?

masterlist of pap/pac posts

want a personal reading? click here to check out my reading options and prices!

pile 1

their physicality: emo style, pale, dark hair, tired looking, vitiligo, multicolored hair, highlighted hair, heterochromia, attractive, cute, stylish, possible smoker, and/or nice voice

their personality: impulsive, spontaneous, foreign, traveler, commitment issues, wanderer, needs space/freedom, adventurer, flirty, mesmerizing, agile, easily jealous, charming, irritable, scatter-brained, high-energy, easily distracted, and/or indecisive

where you are likely to meet: outdoors, at an art gallery, decor/antique shop, flower shop, alternative medicine shop, card section of a store, when buying beauty products, somewhere you are meant to dress up, art class, at a metaphysical shop, psych office, at night, the movie theater, night club, new york, naval academy, on a boat/cruise, at the beach, yachting, and/or somewhere coastal

now maybe this person doesn't have the best track record with previous lovers. in fact, it might be a bit chaotic to you when first hear about it. maybe when you meet them they will be freshly out of a recent breakup. they might be the type of person to remains friends with exes. those exes might even be actively involved in their life. that likely stems from their fear of commitment or their fear of being alone. currently, they are still learning that letting endings happen leads to new space for "bigger and better things" and people (like you).

to them, you are like the only star on the darkest night. they will only have eyes for you because you will be their muse. they adore you. you are so incredible in their eyes. they will see you as someone who is immensely strong, faithful, and optimistic. they find you to be a breath of fresh air - when they are with you, they feel like they can dream. they see all the possibilities of what could be and what they could become to transform into someone worthy of you.

they have some great qualities but ranking highest is their urge to control the chaos in your life for you. they are protective - they don't like to see you overwhelmed or hurt by the world around you, so they willfully step in the path of chaos to protect you. when you are overwhelmed, they are the first to volunteer to take care of anything for you. especially, when it involves them, they want to stay with you at all costs, so they will do whatever it takes to appease you and make you comfortable. they also are very wary and do not believe everything at face value, which, in my opinion, is a good quality. they don't take "i'm fine" as it is; they need to know that you are seriously fine. they don't do insta-love either which is good because, in my experience, those are the connections where the relationship is quick to fizzle out. they search for honesty and truth in all things but even more so with a romantic partner. and you? you are as genuine as they come. one last quality i want to mention before moving on is their stability and reliability. when this person makes up their mind, their mind is unchangeable. when they commit there is no out - they are all in. they are someone very stabilizing, driven, and generous when they decide that you are the one for them. they will no doubt make you their partner in crime. they will want you with them to explore the world and to spoil.

i feel like there will be noticeable tension in your pre-relationship that will bring you guys together. it will make you both feel destabilized and make you wonder if you are doing the right thing. you might feel like you are being vulnerable unnecessarily and that the relationship will amount to nothing but that won't be the case. challenges are momentary and are meant to bring you back to where you are meant to be.

the connection will bring happiness and intense emotions, especially, because you are both willing to confront each other with honest feelings and fears. you are both assertive and focused on your goals to make a future together.

song: "i wanna be yours" by arctic monkeys

pile 2

their physicality: distinctive features, angular features, black/dark hair, chiseled look, strong chin, emotional, seductive, attractive, pale, curvaceous, and/or darker skin tone (olive, easily tans, etc).

their personality: talkative, articulate, dextrous, gossiper, eloquent, influential, spiritual, soulmate, deep, independent, constantly in motion, diplomatic, and/or mediator.

where you are likely to meet: via a friend, someone sets you guys up, at the doctor's office, therapist office, walking a dog, at the veterinarian's, doing charity, while out to eat, at a bar, at the bank, making a donation, a romantic place, and/or at the cardiologist

i sense that they have a good reputation when it comes to love. they are notably nurturing, reliable, sensual, and dependable in a partnership. they go into a connection wanting to build a strong and lasting relationship.

they love that you are always trying to improve yourself. in the past, you may have been codependent on other and you might have relied on others to make you feel happy, but when you meet them, your efforts to do the opposite will be noticeable to them. you won't have unrealistic expectations for them, in fact, when you communicate with them regarding your expectations in the connection, they will find them very doable and will respect you for being upfront with them.

this person has rather unique qualities that makes them an attractive partner. for one they are aware that their emotions and thoughts sometime cloud them from seeing the reality of a situation. they can acknowledge their stress without taking it out on you and those around them. they like to manage their mental health so they can lead a productive life, they aren't afraid of making changes to better accommodate their situation. it is important to them to implement healthy coping strategies such as journalling. journalling and talk therapy likely made them the eloquent individual they are when they meet you. another attractive quality is their humble natural - they aren't haughty people who believe they are better than those around them. in fact, they aren't afraid of questioning themselves and their abilities - they realize that they are not the only one with answers and abilities. they don't do anything impulsively, they think carefully about everything before they actually do anything. lastly, they aren't afraid to admit they need space to take care of themselves - they aren't the type of person who allow others into their space just so they can lash out at them. they are very caring even when they feel depleted. they look within to nourish themselves, so you never have to fear that they will drain your well to refill their own.

you both will be brought together after you both feel more stabilized (emotionally, mentally, monetarily, etc) and are willing to commit. while careful planning isn't the sexiest thing in a connection, the sense of stability you will find with one another after such a long time of waiting to find each other will be well worth it.

this was a match made in the heavens, in my opinion. it was simply meant to be - this is the most important connection of your lifetime and they are your soulmate without a doubt. you both will love and respect each other all your lives. when you lead with love, what else could you expect.

song: "helena" by my chemical romance

pile 3

their physicality: physically fit, bodybuilder, good looking, in shape, attractive, dark/black hair, and/or darker skin tone (olive, tan, etc).

their personality: depressive, unhappy, down, lower self-esteem, pessimist, sickly, talkative, dextrous, gossip, mediator, loyal, devoted, friends first, humble, persistent, trustworthy, dependable, and/or friendly.

where you are likely to meet: somewhere with illegal activity, IT, technology shop, via a plumber, jewelry shop, at an amusement park, on the road, in a courthouse, at a political rally, at a voting booth, a highway, at an art class, at a metaphysical shop, a psych office, at night, at the movie theater, at a night club, and new york.

i sense that they aren't overly experienced with relationships, mainly because they have been working on themselves. they have been looking for someone to build a strong relationship with. someone who matches their enthusiasm, passion, and/or intensity.

they love that you can wait for things they you really desire - you have very good restraint. you aren't afraid of adjusting and refocusing your plans and goals to fit where you are right now. you aren't easily frustrated by a lack of progress - slow and steady wins the race for you, and they adore that you have that level of determination, patience, and passion.

your partner will have some astounding traits that are kinds blowing to me as i read these cards. for one, i sense that this person is very healthy - they don't have any exes waiting in the winds for them and hoping they will come back. their exes know they just won't be back. when they are done, everyone knows that they are indeed done. change is natural and normal to them - they have no problems letting go of things and people that don't help them grow or serve them in the long run. they like things and people that have purpose and are driven. they will do whatever it takes to go into this next chapter in life with you. this person tends to focus on the past however. sometimes it is difficult for them to see the possibilities of what could be as they fear that only bad things surround them and their circumstances. but they do not wait for the world around them to change; they begin the change within. they go through it - they have been through it. they know pain and struggle which has taught them how to be gentle, caring, and how to be content. they know how to find peace and how to be grateful for what they have gained. all of this is to your benefit.

prosperity and generosity are what bring you together. that and, of course, maturity - maybe this is someone you knew earlier and life, and now you are getting a second chance with them. by being forward and clear about your intentions this connection will continue to blossom and grow.

i feel like you will be better off and happier when you keep the relationship private - there are people on both side of your relationship that are gossips and manipulation.

song: "puppet" by tyler, the creator

[demento-mori]

I also think a lot of the Shiori Hate™ comes from her portrayal in Adolescence. Now, while I understand the conclusions that peoole come to based on this, I don't think it's entirely fair to Shiori's character as it doesn't really take into consideration the context of Adolescence and the role that Shiori plays in the narrative.

Adolescence of Utena (regardless of whether you interpret it as a direct sequel, a standalone reimagining, or something in-between) clearly serves as a synopsis of the events of the series, just with details cut-out, changed, or condensed to support the movie's length. For example, the Student Council arc is instead condensed into a single duel with Saionji, as is the Apocalypse arc with Juri.

I would argue that Movie!Shiori, rather than being 100% representative of the real Shiori, is instead meant to serve as a stand-in for the Black Rose Duelists as a collective. The Black Rose Arc in RGU is vital in showing how victims of the system are turned against one another in order to keep them distracted from their real oppressors (this idea is also embodied in the series by Nanami, who is missing from the movie). It also demonstrates several examples of how Ohtori Academy's patriarchal system has fostered unhealthy and toxic relationships between various characters. I believe that Shiori is meant to serve as the embodiment of these themes in Adolescence of Utena, in lieu of the Black Rose Arc.

In Adolescence, Shiori has a very unhealthy and toxic relationship with Juri. She wants to force Juri to be her prince forever, so that she, by extension, can gain power within the system. This is in much the same way that the Black Rose Duelists make their respective student council members into rose brides by forcefully pulling swords from their chests, all in order to gain power and agency within the system. Shiori also plays a major antagonistic role in the movie as she is the one who exposes Anthy as the one who "killed" Akio, and she later attempts to stop Anthy from escaping to the real world (its a big mistake to think you're the only one who can turn into a car). I would argue that this represents how the Black Rose Duelists are convinced by Mikage to kill the Rose Bride, believing that it will solve their problems- which in itself represents how victims of the system are turned against other victims in order to keep them from rising up against the real oppressors. I think that this shows how Shiori's motivations within the movie more closely align with the general motivations of the Black Rose Duelists as a whole, rather than her original motivations within the series (which are worthy of an analysis all on their own).

-

Tl;dr Movie!Shiori shouldn't be taken as a true 1:1 representation of Shiori's character, because she actually represents the entire Black Rose Arc and all its themes as a whole, just in condensed movie format.

[broadwaydivastournament]

Movie Musical Divas Tournament Winner

Congratulations to our universally beloved Queen of Movie Musicals, Dame Julie Andrews. In her debut film role, Julie Andrews enchanted the world in Mary Poppins (1964) and won an Academy Award for Best Actress right out of the gates. Her subsequent two Oscar nominations were also from beloved movie musicals (The Sound of Music and Victor/Victoria). Her movie musical career has earned her multiple Grammy Awards and nominations, Golden Globes, and Emmys. Dame Julie Andrews does not have a Tony Award.

Out of 874 votes, Julie Andrews swept her competition like she was cleaning a children's nursery, earning 663 votes against national treasure (but alas not movie musical icon) Dolly Parton.

And so we end this tournament at last, having crowned a worthy champion.

[yonkokraven]

If anyone asks where it all started to go wrong, it's certainly the Stain Arc

-Before that we had a minimum of seriousness to Bakugo's attacks on Midoriya, and then it becomes a recurring gag

-The League of Villains at this point isn't hypocritical enough, here they could give it an approach that actually resembles Stain's ideals instead of the seeds for "I WanT to DeStrOyYyy"

-No event from any movie had happened yet, so those plots could be used appropriately as individual arcs and better developed than the nonsense we've seen.

-Endeavor, there are many things here that I think Hori could have done if he really wanted to redeem Endeavor.

-Here Horikoshi could establish a genuine curiosity of Midoriya towards the meaning of being a hero Because its definition is only "save and help people" but it does not know how things move beyond the academy.

-Here they could easily let Izuku receive recognition from the public with mixed opinions, on the one hand he and his companions saved Native, but on the other they did not have a corresponding license (something perfectly excusable since Hosu had to be in a state of Emergency during the Nomu attack.)

-Give Toga a personality that argues that she needs help IN THE PRESENT and not a flashback so that we feel bad for her and her past when she literally enjoys killing.

-Dabi and Stain had a past as mentor-student, and that instead of killing selflessly he would only kill false heroes

- Spinner can explain more about why he agrees with Stain and that he truly follows that belief of worthy heroes, Whether because a pro-hero discriminated against him or he saw a pro-hero attack a heteromorph unjustifiably, anything helps.

-Compress uses his masks because in reality his face is recognizable, since the families of his ancestor's victims did not stop tormenting his family for generations and basically he cannot live a normal life having "the blood of a villain"

-That Mustard does not have such twisted morals to kill yet, but that his story comes hand in hand with the discrimination of weak or abnormal quirks

-That Moonfish is someone who really reached a point of no return by completely giving in to his quirk.

-Leave Muscular like that, it works that he's a jerk because we've already been shown villains who simply do things for their own benefit (Although the entire league agrees that at the first opportunity they tie him up in the trunk of a car and throw him into the sea)

-That most of the league agrees on the limits of not killing students or civilians, while Shigaraki and Muscular visibly detest this.

Then you can imagine that with all these points presented the story changes course and currently we would have a justification for the sudden "I want to save Tenko" or "I want to save Toga" or "I want to save the league"

[rhysdarbinizedarby]

Couch surfer in his 30s. Oscar winner in his 40s. Why the whole world wants Taika

**Notes: This is very long post!**

Good Weekend

In his 30s, he was sleeping on couches. By his 40s, he’d directed a Kiwi classic, taken a Marvel movie to billion-dollar success, and won an Oscar. Meet Taika Waititi, king of the oddball – and one of New Zealand’s most original creative exports.

Taika Waititi: “Be a nice person and live a good life. And just don’t be an arsehole.”

The good news? Taika Waititi is still alive. I wasn’t sure. The screen we were speaking through jolted savagely a few minutes ago, with a cacophonous bang and a confused yelp, then radio silence. Now the Kiwi ­ filmmaker is back, grinning like a loon: “I just broke the f---ing table, bro!”

Come again? “I just smashed this f---ing table and glass flew everywhere. It’s one of those old annoying colonial tables. It goes like this – see that?” Waititi says, holding up a folding furniture leg. “I hit the mechanism and it wasn’t locked. Anyway …”

I’m glad he’s fine. The stuff he’s been saying from his London hotel room could incur biblical wrath. We’re talking about his latest project, Next Goal Wins, a movie about the American Samoa soccer team’s quest to score a solitary goal, 10 years after suffering the worst loss in the game’s international history – a 31-0 ­ignominy to Australia – but our chat strays into ­spirituality, then faith, then religion.

“I don’t personally believe in a big guy sitting on a cloud judging everyone, but that’s just me,” Waititi says, deadpan. “Because I’m a grown-up.”

This is the way his interview answers often unfold. Waititi addresses your topic – dogma turns good people bad, he says, yet belief itself is worth lauding – but bookends every response with a conspiratorial nudge, wink, joke or poke. “Regardless of whether it’s some guy living on a cloud, or some other deity that you’ve made up – and they’re all made up – the message across the board is the same, and it’s important: Be a nice person, and live a good life. And just don’t be an arsehole!”

Not being an arsehole seems to have served Waititi, 48, well. Once a national treasure and indie darling (through the quirky tenderness of his breakout New Zealand films Boy in 2010 and Hunt for the Wilderpeople in 2016), Waititi then became a star of both the global box office (through his 2017 entry into the Marvel Universe, Thor: Ragnarok, which grossed more than $1.3 billion worldwide) and then the Academy Awards (winning the 2020 best adapted screenplay Oscar for his subversive Holocaust dramedy JoJo Rabbit, in which he played an imaginary Hitler).

Waititi playing Adolf Hitler in the 2019 movie JoJo Rabbit. (Alamy)

A handsome devil with undeniable roguish charm, Waititi also slid seamlessly into style-icon status (attending this year’s Met Gala shirtless, in a floor-length gunmetal-grey Atelier Prabal Gurung wrap coat, with pendulous pearl necklaces), as well as becoming his own brand (releasing an eponymous line of canned ­coffee drinks) and bona fide Hollywood A-lister (he was introduced to his second wife, British singer Rita Ora, by actor Robert Pattinson at a barbecue).

Putting that platform to use, Waititi is an Indigenous pioneer and mentor, too, co-creating the critically acclaimed TV series Reservation Dogs, while co-founding the Piki Films production company, committed to promoting the next generation of storytellers – a mission that might sound all weighty and worthy, yet Waititi’s new wave of First Nations work is never earnest, always mixing hurt with heart and howling humour.

Waititi with wife Rita Ora at the 2023 Met Gala in May. (Getty Images)

Makes sense. Waititi is a byproduct of “the weirdest coupling ever” – his late Maori father from the Te Whanau-a-Apanui tribe was an artist, farmer and “Satan’s Slaves” bikie gang founder, while his Wellington schoolteacher mum descended from Russian Jews, although he’s not devout about her faith. (“No, I don’t practise,” he confirms. “I’m just good at everything, straight away.”)

He’s remained loyally tethered to his ­origin story, too – and to a cadre of creative Kiwi mates, including actors Jemaine Clement and Rhys Darby – never forgetting that not long before the actor/writer/producer/director was an industry maven, he was a penniless painter/photographer/ musician/comedian.

With no set title and no fixed address, he’s seemingly happy to be everything, everywhere (to everyone) all at once. “‘The universe’ is bandied around a lot these days, but I do believe in the kind of connective tissue of the universe, and the energy that – scientifically – we are made up of a bunch of atoms that are bouncing around off each other, and some of the atoms are just squished together a bit tighter than others,” he says, smiling. “We’re all made of the same stardust, and that’s pretty special.”

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We’ve caught Waititi in a somewhat relaxed moment, right before the screen actors’ and media artists’ strike ends. He’s ­sensitive to the struggle but doesn’t deny enjoying the break. “I spent a lot of time thinking about writing, and not writing, and having a nice ­holiday,” he tells Good Weekend. “Honestly, it was a good chance just to recombobulate.”

Waititi, at right, with Hunt for the Wilderpeople actors, from left, Sam Neill, Rhys Darby and Julian Dennison. (Getty Images)

It’s mid-October, and he’s just headed to Paris to watch his beloved All Blacks in the Rugby World Cup. He’s deeply obsessed with the game, and sport in general. “Humans spend all of our time knowing what’s going to happen with our day. There’s no surprises ­any more. We’ve become quite stagnant. And I think that’s why people love sport, because of the air of unpredictability,” he says. “It’s the last great arena entertainment.”

The main filmic touchstone for Next Goal Wins (which premieres in Australian cinemas on New Year’s Day) would be Cool Runnings (1993), the unlikely true story of a Jamaican bobsled team, but Waititi also draws from genre classics such as Any Given Sunday and Rocky, sampling trusted tropes like the musical training montage. (His best one is set to Everybody Wants to Rule the World by Tears for Fears.)

Filming in Hawaii was an uplifting experience for the self-­described Polynesian Jew. “It wasn’t about death, or people being cruel to each other. Thematically, it was this simple idea, of getting a small win, and winning the game wasn’t even their goal – their goal was to get a goal,” he says. “It was a really sweet backbone.”

Waititi understands this because, growing up, he was as much an athlete as a nerd, fooling around with softball and soccer before discovering rugby league, then union. “There’s something about doing exercise when you don’t know you’re doing exercise,” he enthuses. “It’s all about the fun of throwing a ball around and trying to achieve something together.” (Whenever Waititi is in Auckland he joins his mates in a long-running weekend game of touch rugby. “And then throughout the week I work out every day. Obviously. I mean, look at me.”)

Auckland is where his kids live, too, so he spends as much time there as possible. Waititi met his first wife, producer Chelsea Winstanley, on the set of Boy in 2010, and they had two daughters, Matewa Kiritapu, 8, and his firstborn, Te Kainga O’Te Hinekahu, 11. (The latter is a derivative of his grandmother’s name, but he jokes with American friends that it means “Resurrection of Tupac” or “Mazda RX7″) Waititi and Winstanley split in about 2018, and he married the pop star Ora in 2022.

He offers a novel method for balancing work with parenthood … “Look, you just abandon them, and know that the experience will make them harder individuals later on in life. And it’s their problem,” he says. “I’m going to give them all of the things that they need, and I’m going to leave behind a decent bank ­account for their therapy, and they will be just like me, and the cycle will continue.”

Jokes aside – I think he’s joking – school holidays are always his, and he brings the girls onto the set of every movie he makes. “They know enough not to get in the way or touch anything that looks like it could kill you, and they know to be respectful and quiet when they need to. But they’re just very comfortable around filmmakers, which I’m really happy about, because eventually I hope they will get into the ­industry. One more year,” he laughs, “then they can leave school and come work for Dad.”

Theirs is certainly a different childhood than his. Growing up, he was a product of two worlds. His given names, for instance, were based on his appearance at birth: “Taika David” if he looked Maori (after his Maori grandfather) and “David Taika” if he looked Pakeha (after his white grandfather). His parents split when he was five, so he bounced between his dad’s place in Waihau Bay, where he went by the surname Waititi, and his mum, eight hours drive away in Wellington, where he went by Cohen (the last name on his birth ­certificate and passport).

Waititi was precocious, even charismatic. His mother Robin once told Radio New Zealand that people always wanted to know him, even as an infant: “I’d be on a bus with him, and he was that kind of baby who smiled at people, and next thing you know they’re saying, ‘Can I hold your baby?’ He’s always been a charmer to the public eye.”

He describes himself as a cool, sporty, good-looking nerd, raised on whatever pop culture screened on the two TV channels New Zealand offered in the early 1980s, from M*A*S*H and Taxi to Eddie Murphy and Michael Jackson. He was well-read, too. When punished by his mum, he would likely be forced to analyse a set of William Blake poems.

He puts on a whimpering voice to describe their finances – “We didn’t have much monneeey” – explaining how his mum spent her days in the classroom but also worked in pubs, where he would sit sipping a raspberry lemonade, doodling drawings and writing stories. She took in ­ironing and cleaned houses; he would help out, learning valuable lessons he imparts to his kids. “And to random people who come to my house,” he says. “I’ll say, ‘Here’s a novel idea, wash this dish,’ but people don’t know how to do anything these days.”

“Every single character I’ve ever written has been based on someone I’ve known or met or a story I’ve stolen from someone.” - Taika Waititi

He loved entertaining others, clearly, but also himself, recording little improvised radio plays on a tape deck – his own offbeat versions of ET and Indiana Jones and Star Wars. “Great free stuff where you don’t have any idea what the story is as you’re doing it,” he says. “You’re just sort of making it up and enjoying the ­freedom of playing god in this world where you can make people and characters do whatever you want.”

His other sphere of influence lay in Raukokore, the tiny town where his father lived. Although Boy is not autobiographical, it’s deeply personal insofar as it’s filmed in the house where he grew up, and where he lived a life similar to that portrayed in the story, surrounded by his recurring archetypes: warm grandmothers and worldly kids; staunch, stoic mums; and silly, stunted men. “Every single character I’ve ever written has been based on someone I’ve known or met,” he says, “or a story I’ve stolen from someone.”

He grew to love drawing and painting, obsessed early on with reproducing the Sistine Chapel. During a 2011 TED Talk on creativity, Waititi describes his odd subject matter, from swastikas and fawns to a picture of an old lady going for a walk … upon a sword … with Robocop. “My father was an outsider artist, even though he wouldn’t know what that meant,” Waititi told the audience in Doha. “I love the naive. I love people who can see things through an innocent viewpoint. It’s inspiring.”

After winning Best Adapted Screenplay Academy Award for JoJo Rabbit in 2020. (Getty Images)

It was an interesting time in New Zealand, too – a coming-of-age decade in which the Maori were rediscovering their culture. His area was poor, “but only ­financially,” he says. “It’s very rich in terms of the ­people and the culture.” He learned kapa haka – the songs, dances and chants performed by competing tribes at cultural events, or to honour people at funerals and graduations – weddings, parties, ­anything. “Man, any excuse,” he explains. “A big part of doing them is to uplift your spirits.”

Photography was a passion, so I ask what he shot. “Just my penis. I sent them to people, but we didn’t have phones, so I would print them out, post them. One of the first dick pics,” he says. Actually, his lens was trained on regular people. He watches us still – in airports, ­restaurants. “Other times late at night, from a tree. Whatever it takes to get the story. You know that.”

He went to the Wellington state school Onslow College and did plays like Androcles and the Lion, A Midsummer Night’s Dream and The Crucible. His crew of arty students eventually ended up on stage at Bats Theatre in the city, where they would perform haphazard comedy shows for years.

“Taika was always rebellious and wild in his comedy, which I loved,” says his high school mate Jackie van Beek, who became a longtime collaborator, including working with Waititi on a Tourism New Zealand campaign this year. “I remember he went through a phase of turning up in bars around town wearing wigs, and you’d try and sit down and have a drink with him but he’d be doing some weird character that would invariably turn up in some show down the track.”

He met more like-minded peers at Victoria University, including Jemaine Clement (who’d later become co-creator of Flight of the Conchords). During a 2019 chat with actor Elijah Wood, Waititi ­describes he and Clement clocking one another from opposite sides of the library one day: a pair of Maoris experiencing hate at first sight, based on a mutual suspicion of cultural appropriation. (Clement was wearing a traditional tapa cloth Samoan shirt, and Waititi was like: “This motherf---er’s not Samoan.” Meanwhile, Waititi was wearing a Rastafarian beanie, and Clement was like, “This ­motherf---er’s not Jamaican.”)

With Jemaine Clement in 2014. (Getty Images)

But they eventually bonded over Blackadder and Fawlty Towers, and especially Kenny Everett, and did comedy shows together everywhere from Edinburgh to Melbourne. Waititi was almost itinerant, spending months at a time busking, or living in a commune in Berlin. He acted in a few small films, and then – while playing a stripper on a bad TV show – realised he wanted to try life behind the camera. “I became tired of being told what to do and ordered around,” he told Wellington’s Dominion Post in 2004. “I remember sitting around in the green room in my G-string ­thinking, ‘Why am I doing this? Just helping someone else to realise their dream.’ ”

He did two strong short films, then directed his first feature – Eagle vs Shark (2007) – when he was 32. He brought his mates along (Clement, starring with Waititi’s then-girlfriend Loren Horsley), setting something of a pattern in his career: hiring friends instead of constantly navigating new working relationships. “If you look at things I’m doing,” he tells me, “there’s ­always a few common denominators.”

Sam Neill says Waititi is the exemplar of a new New Zealand humour. “The basis of it is this: we’re just a little bit crap at things.”

This gang of collaborators shares a common Kiwi vibe, too, which his longtime friend, actor Rhys Darby, once coined “the comedy of the mundane”. Their new TV show, Our Flag Means Death, for example, leans heavily into the mundanity of pirate life – what happens on those long days at sea when the crew aren’t unsheathing swords from scabbards or burying treasure.

Waititi plays pirate captain Blackbeard, centre, in Our Flag Means Death, with Rhys Darby, left, and Rory Kinnear. (Google Images)

Sam Neill, who first met Waititi when starring in Hunt for the Wilderpeople, says Waititi is the exemplar of a new New Zealand humour. “And I think the basis of it is this,” says Neill. “We’re just a little bit crap at things, and that in itself is funny.” After all, Neill asks, what is What We Do in The Shadows (2014) if not a film (then later a TV show) about a bunch of vampires who are pretty crap at being vampires, ­living in a pretty crappy house, not quite getting busted by crappy local cops? “New Zealand often gets named as the least corrupt country in the world, and I think it’s just that we would be pretty crap at being corrupt,” Neill says. “We don’t have the capacity for it.”

Waititi’s whimsy also spurns the dominant on-screen oeuvre of his homeland – the so-called “cinema of ­unease” exemplified by the brutality of Once Were Warriors (1994) and the emotional peril of The Piano (1993). Waititi still explores pathos and pain, but through laughter and weirdness. “Taika feels to me like an ­antidote to that dark aspect, and a gift somehow,” Neill says. “And I’m grateful for that.”

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Something happened to Taika Waititi when he was about 11 – something he doesn’t go into with Good Weekend, but which he considered a betrayal by the adults in his life. He ­mentioned it only recently – not the ­moment itself, but the lesson he learnt: “That you cannot and must not rely on grown-ups to help you – you’re basically in the world alone, and you’re gonna die alone, and you’ve just gotta make it all for yourself,” he told Irish podcast host James Brown. “I basically never forgave people in positions of responsibility.”

What does that mean in his work? First, his finest films tend to reflect the clarity of mind possessed by children, and the unseen worlds they create – fantasies conjured up as a way to understand or overcome. (His mum once summed up the main ­message of Boy: “The ­unconditional love you get from your children, and how many of us waste that, and don’t know what we’ve got.”)

Second, he’s suited to movie-making – “Russian roulette with art” – because he’s drawn to disruptive force and chaos. And that in turn produces creative defiance: allowing him to reinvigorate the Marvel Universe by making superheroes fallible, or tell a Holocaust story by making fun of Hitler. “Whenever I have to deal with someone who’s a boss, or in charge, I challenge them,” he told Brown, “and I really do take whatever they say with a pinch of salt.”

It’s no surprise then that Waititi was comfortable leaping from independent films to the vast complexity of Hollywood blockbusters. He loves the challenge of coordinating a thousand interlocking parts, requiring an army of experts in vocations as diverse as construction, sound, art, performance and logistics. “I delegate a lot,” he says, “and share the load with a lot of people.”

“This is a cool concept, being able to ­afford whatever I want, as opposed to sleeping on couches until I was 35.” - Taika Waititi

But the buck stops with him. Time magazine named Waititi one of its Most Influential 100 People of 2022. “You can tell that a film was made by Taika Waititi the same way you can tell a piece was painted by Picasso,” wrote Sacha Baron Cohen. Compassionate but comic. Satirical but watchable. Rockstar but auteur. “Actually, sorry, but this guy’s really starting to piss me off,” Cohen concluded. “Can someone else write this piece?”

Directing Chris Hemsworth in 2017 in Thor: Ragnarok, which grossed more than $1.3 billion at the box office. (Alamy)

I’m curious to know how he stays grounded amid such adulation. Coming into the game late, he says, helped immensely. After all, Waititi was 40 by the time he left New Zealand to do Thor: Ragnarok. “If you let things go to your head, then it means you’ve struggled to find out who you are,” he says. “But I’ve always felt very comfortable with who I am.” Hollywood access and acclaim – and the pay cheques – don’t erase memories of poverty, either. “It’s more like, ‘Oh, this is a cool concept, being able to ­afford whatever I want, as opposed to sleeping on couches until I was 35.’ ” Small towns and strong tribes keep him in check, too. “You know you can’t piss around and be a fool, because you’re going to embarrass your family,” he says. “Hasn’t stopped me, though.”

Sam Neill says there was never any doubt Waititi would be able to steer a major movie with energy and imagination. “It’s no accident that the whole world wants Taika,” he says. “But his seductiveness comes with its own dangers. You can spread yourself a bit thin. The temptation will be to do more, more, more. That’ll be interesting to watch.”

Indeed, I find myself vicariously stressed out over the list of potential projects in Waititi’s future. A Roald Dahl animated series for Netflix. An Apple TV show based on the 1981 film Time Bandits. A sequel to What We Do In The Shadows. A reboot of Flash Gordon. A gonzo horror comedy, The Auteur, starring Jude Law. Adapting a cult graphic novel, The Incal, as a feature. A streaming series based on the novel Interior Chinatown. A film based on a Kazuo Ishiguro bestseller. Plus bringing to life the wildly popular Akira comic books. Oh, and for good measure, a new instalment of Star Wars, which he’s already warned the world will be … different.

“It’s going to change things,” he told Good Morning America. “It’s going to change what you guys know and expect.”

Did I say I was stressed for Waititi? I meant physically sick.

“Well…” he qualifies, “some of those things I’m just producing, so I come up with an idea or someone comes to me with an idea, and I shape how ‘it’s this kind of show’ and ‘here’s how we can get it made.’ It’s easier for me to have a part in those things and feel like I’ve had a meaningful role in the creative process, but also not having to do what I’ve always done, which is trying to control everything.”

In the 2014 mockumentary horror film What We Do in the Shadows, which he co-directed with Jemaine Clement. (Alamy)

What about moving away from the niche New Zealand settings he represented so well in his early work? How does he stay connected to his roots? “I think you just need to know where you’re from,” he says, “and just don’t forget that.”

They certainly haven’t forgotten him.

Jasmin McSweeney sits in her office at the New Zealand Film Commission in Wellington, surrounded by promotional posters Waititi signed for her two decades ago, when she was tasked with promoting his nascent talent. Now the organisation’s marketing chief, she talks to me after visiting the heart of thriving “Wellywood”, overseeing the traditional karakia prayer on the set of a new movie starring Geoffrey Rush.

Waititi isn’t the first great Kiwi filmmaker – dual Oscar-winner Jane Campion and blockbuster king Peter Jackson come to mind – yet his particular ascendance, she says, has spurred unparalleled enthusiasm. “Taika gave everyone here confidence. He always says, ‘Don’t sit around waiting for people to say, you can do this.’ Just do it, because he just did it. That’s the Taika effect.”

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Taika David Waititi is known for wearing everything from technicolour dreamcoats to pineapple print rompers, and today he’s wearing a roomy teal and white Isabel Marant jumper. The mohair garment has the same wispy frizz as his hair, which curls like a wave of grey steel wool, and connects with a shorn salty beard.

A stylish silver fox, it wouldn’t surprise anyone if he suddenly announced he was launching a fashion label. He’s definitely a commercial animal, to the point of directing television commercials for Coke and Amazon, along with a fabulous 2023 spot for Belvedere vodka starring Daniel Craig. He also joined forces with a beverage company in Finland (where “taika” means “magic”) to release his coffee drinks. Announcing the partnership on social media, he flagged that he would be doing more of this kind of stuff, too (“Soz not soz”).

Waititi has long been sick of reverent portrayals of Indigenous people talking to spirits.

There’s substance behind the swank. Fashion is a creative outlet but he’s also bought sewing machines in the past with the intention of designing and making clothes, and comes from a family of tailors. “I learnt how to sew a button on when I was very young,” he says. “I learnt how to fix holes or patches in your clothes, and darn things.”

And while he gallivants around the globe watching Wimbledon or modelling for Hermès at New York Fashion Week, all that glamour belies a depth of purpose, particularly when it comes to Indigenous representation.

There’s a moment in his new movie where a Samoan player realises that their Dutch coach, played by Michael Fassbender, is emotionally struggling, and he offers a lament for white people: “They need us.” I can’t help but think Waititi meant something more by that line – maybe that First Nations people have ­wisdom to offer if others will just listen?

“Weeelllll, a little bit …” he says – but from his intonation, and what he says next, I’m dead wrong. Waititi has long been sick of reverent ­portrayals of Indigenous people talking to kehua (spirits), or riding a ghost waka (phantom canoe), or playing a flute on a mountain. “Always the boring characters,” he says. “They’ve got no real contemporary relationship with the world, because they’re always living in the past in their spiritual ways.”

A scene from Next Goal Wins, filmed earlier this year. (Alamy)

He’s part of a vanguard consciously poking fun at those stereotypes. Another is the Navajo writer and director Billy Luther, who met Waititi at Sundance Film Festival back in 2003, along with Reservation Dogs co-creator Sterlin Harjo. “We were this group of outsiders trying to make films, when nobody was really biting,” says Luther. “It was a different time. The really cool thing about it now is we’re all working. We persevered. We didn’t give up. We slept on each other’s couches and hung out. It’s like family.”

Waititi has power now, and is known for using Indigenous interns wherever possible (“because there weren’t those opportunities when I was growing up”), making important introductions, offering feedback on scripts, and lending his name to projects through executive producer credits, too, which he did for Luther’s new feature film, Frybread Face and Me (2023).

He called Luther back from the set of Thor: Love and Thunder (2022) to offer advice on working with child actors – “Don’t box them into the characters you’ve ­created,” he said, “let them naturally figure it out on their own” – but it’s definitely harder to get Waititi on the phone these days. “He’s a little bitch,” Luther says, laughing. “Nah, there’s nothing like him. He’s a genius. You just knew he was going to be something. I just knew it. He’s my brother.“

I’ve been asked to explicitly avoid political questions in this interview, probably because Waititi tends to back so many causes, from child poverty and teenage suicide to a campaign protesting offshore gas and oil exploration near his tribal lands. But it’s hard to ignore his recent Instagram post, sharing a viral video about the Voice to Parliament referendum starring Indigenous Aussie rapper Adam Briggs. After all, we speak only two days after the proposal is defeated. “Yeah, sad to say but, Australia, you really shat the bed on that one,” Waititi says, pausing. “But go see my movie!”

About that movie – the early reviews aren’t great. IndieWire called it a misfire, too wrapped in its quirks to develop its arcs, with Waititi’s directorial voice drowning out his characters, while The Guardian called it “a shoddily made and strikingly unfunny attempt to tell an interesting story in an uninteresting way”. I want to know how he moves past that kind of criticism. “For a start, I never read reviews,” he says, concerned only with the opinion of people who paid for admission, never professional appraisals. “It’s not important to me. I know I’m good at what I do.”

Criticism that Indigenous concepts weren’t sufficiently explained in Next Goal Wins gets his back up a little, though. The film’s protagonist, Jaiyah Saelua, the first transgender football player in a FIFA World Cup qualifying match, is fa’afafine – an American Samoan identifier for someone with fluid genders – but there wasn’t much exposition of this concept in the film. “That’s not my job,” Waititi says. “It’s not a movie where I have to explain every facet of Samoan culture to an audience. Our job is to retain our culture, and present a story that’s inherently Polynesian, and if you don’t like it, you can go and watch any number of those other movies out there, 99 per cent of which are terrible.”

*notes: (there is video clip in the article)

Waititi sounds momentarily cranky, but he’s mostly unflappable and hilarious. He’s the kind of guy who prefers “Correctumundo bro!” to “Yes”. When our video connection is too laggy, he plays up to it by periodically pretending to be frozen, sitting perfectly still, mouth open, his big shifting eyeballs the only giveaway.

He’s at his best on set. Saelua sat next to him in Honolulu while filming the joyous soccer sequences. “He’s so chill. He just let the actors do their thing, giving them creative freedom, barely interjecting unless it was something important. His style matches the vibe of the Pacific people. We’re a very funny people. We like to laugh. He just fit perfectly.”

People do seem to love working alongside him, citing his ability to make productions fresh and unpredictable and funny. Chris Hemsworth once said that Waititi’s favourite gag is to “forget” that his microphone is switched on, so he can go on a pantomime rant for all to hear – usually about his disastrous Australian lead actor – only to “remember” that he’s wired and the whole crew is listening.

“I wouldn’t know about that, because I don’t listen to what other people say about anything – I’ve told you this,” Waititi says. “I just try to have fun when there’s time to have fun. And when you do that, and you bring people together, they’re more willing to go the extra mile for you, and they’re more willing to believe in the thing that you’re trying to do.”

Yes, he plays music between takes, and dances out of his director’s chair, but it’s really all about relaxing amid the immense pressure and intense privilege of making movies. “Do you know how hard it is just to get anything financed or green-lit, then getting a crew, ­getting producers to put all the pieces together, and then making it to set?” Waititi asks. “It’s a real gift, even to be working, and I feel like I have to remind ­people of that: enjoy this moment.”

Source: The Age

By: Konrad Marshall (December 1, 2023)

[notakugelblitz]

YOUR SONG • THE UMBRELLA ACADEMY (season 1)

Luther, Diego, Allison, Klaus, Five, Ben, Viktor

just imagine these songs being in the OST and playing during those “scenes” ;) you’re number 8 btw. english isn’t my first language so sorry if you spot any mistake. enjoy ☂️

LUTHER

/ your power : telepathy /

"I'm going to miss you..."
"I'll miss you too..."

Against his broad chest, you held back your tears as his hand gently caressed your scalp.

"We'll talk every night, won't we?"
"I promise..."

You pulled away and looked at him for a long time. He fixed his gaze on your lips, weighing the pros and cons of his intentions. Just as he was about to close the distance between you, your father burst into the room.

"It's time to go, Number 1. Clear out, Number 8, this isn't the time to distract him."

Luther finally planted a quick kiss on your cheek, leaving you breathless, a terrible frustration swelling within you.

Days, months, and years passed. Every night, you would retreat to the roof to gaze at the moon, talking to Luther thanks to your telepathy ability. You often fell asleep first, and Grace would come to cover you with a blanket when the nights grew a bit chilly. Luther loved to hum a song, Flares, as if to remind himself that you would always be there for him, sending him out flares.

DIEGO

/ your power : see the future /

A soft light filtered into the gymnasium's basement. A faint music coming from upstairs woke you up. You grumbled and stormed up the stairs. Wearing nothing but an old t-shirt belonging to your brother—and, incidentally, your boyfriend (no, thankfully, it’s not incest)—you flung the door open and saw Diego dancing with a mop in the ring. You burst out laughing, which made him jump.

"Am I dreaming, or are you laughing at me?"

You tried to respond, but tears were welling up in the corners of your eyes. Bent over with laughter, you suddenly felt warm droplets splash across your face: he had just splashed you with the mop. You stared at him for a long moment and jumped on the ring trying to catch him.

A wild fight ensued, in rhythm with the music, with the floor becoming extremely slippery due to the water. You delivered several kicks at him, which he blocked with the broomstick. It was a fight worthy of a Bruce Lee movie. Since both of you were very skilled in martial arts (and because you could anticipate each of his moves thanks to your power of visualizing the near future), you lowered your guard to let him win for once. Diego grabbed you by the waist, and you both tumbled near the entrance.

You ended up on top of each other, just like in all those wonderful clichés. Just as Number 2 was about to kiss you, the boss of the place stormed in. He flew into a rage and rushed toward the radio. Unfortunately, he slipped and crashed face-first onto the floor, making you both burst out laughing. Well... you had to clean up everything afterward, and in silence. Still, those moments of total hilarity were and still are the best ...

ALLISON

/ your power : water manipulation /

Having become a renowned actress, Allison traveled extensively. As for Patrick, he worked a lot. You were the perfect candidate to look after Claire. Having left the Umbrella Academy at the same time as your sister, you were inseparable, and whenever she returned from a shoot, you were so happy to spend time together.

Claire adored you, and you managed to calm her tantrums easily, greatly relieving Allison.

One evening, as your sister came home late, you put Claire to bed. She was having trouble falling asleep. So, you waved your finger over a glass, filling it with fresh water, and placed it on her nightstand. Then, with a soft and soothing voice, you hummed the lullaby Wendy sings to the Lost Boys in Peter Pan, her favorite cartoon. It was a routine that worked every time. Allison arrived in the middle of your performance and deliberately stayed behind the door to listen. Once Claire was asleep, you chuckled.

"I know you're there," you whispered.
"I know you know." she giggles.
"I heard a rumor that you stop spying on me."
"You know I can’t help it. It’s adorable. Thanks for everything."

You chuckled and rolled your eyes. It didn’t bother you at all. You went downstairs and opened a bottle of wine to celebrate her return. Patrick left you two alone, and you silently thanked him because these moments with your sister were the best.

KLAUS

/ your power : animal metamorphosis /

It was an evening like any other. Or at least, that’s what you hoped. You were waiting for Klaus outside the nightclub he was in so you could take him home. You preferred to be the one who did so rather than letting him leave alone in a terrible state. As the agreed-upon time had passed, you sighed and stormed out of your car. You entered the club without any difficulty, as the bouncer recognized you immediately. It had its perks to be a member of the Umbrella Academy back then. You searched the entire club for Klaus and finally found him on the rooftop. He was shouting incomprehensible things while walking along the edge of the building. You rushed to join him.

"Klaus, get down. Right now," you ordered, pulling on his sleeve.
"Oh Y/N, I’m so happy to see you!" he chirped, his persistent sniffles confirming to you that he had relapsed again.
"It’s not funny, Klaus, you could..."

Before you could even finish your sentence, he slipped off the edge of the building and fell into the void. Immediately, you transformed into a falcon and dove toward the ground, but it was too late: he had already crashed. Blood was pouring from the back of his head, but that didn’t stop you from kneeling beside him and resting his head on your lap.

"Damn it, Klaus..." you cried, pressing your forehead against his. "You’re such an idiot..."

It was as if your world had just collapsed, all because of some damn white powder and a brother who was a little too dependent. Suddenly, he took a huge breath, coming back from the dead. You were completely shocked.

"Oh! I knew you’d catch me. You always catch me," he chuckled, pressing his temple against your chest like a little child.

And then he fell asleep. You were stunned and took him back to your car. He had been dead... and then alive. High but alive. You didn’t quite understand what had just happened, and you never talked to him about it until he discovered his ability to resurrect in 1963. That explained a lot …

FIVE

/ your power : healing /

Since Five disappeared, not a day had passed without you searching for a way to find him. You studied all sorts of science books, looking for theories on time travel or anything related. Then, you expanded your research to history books, wondering if he might have done something that left a mark on time. When you were too tired to read, you helped Viktor make peanut butter sandwiches just in case he reappeared.

After leaving the Umbrella Academy when you came of age, you continued your research, scouring every library. But what you didn’t know was that a certain organization known as The Temps Commission had taken an interest in you and was considering recruiting you. Whether it was for your relentless determination, your knowledge of time travel, or your healing abilities, you could only be an asset.

When The Handler found you in an aisle of the Dallas Central Library, you immediately accepted her offer. If anyone had information on Five, it would be them. But your disappointment was immense when you found no trace of him once you were there. That didn’t stop you from continuing your search for many years, so much so that, after a while, Herb secretly helped you through the Infinite Switchboard. And that’s how you found Five, in the middle of the apocalypse. Having no right to interfere with the timeline, you begged The Handler to recruit him as an agent, just like you.

"I’ll think about it," she had said, even though she had already been watching him for 30 years.

Then, one fine day, you were summoned to The Handler’s office. Five was there too.

"Five, I present to you your partner, Y/N Hargreeves. Well, you already know each other. I’ll leave you to it."

She left the room, leaving you two standing there, arms hanging by your sides.

"I found you," he let out.

"I found you," you replied. "I trusted the signs, so I made my way back to you somehow."

"Pathetic," he chuckled, though a smile tugged at his lips.

"I'm glad to see you too, Five," you sighed, smiling just as much.

BEN

/ your power : invisibility /

As Ben was reading, an upbeat music filled the house. The 11-year-old boy went to the living room and saw Grace and you dancing the Rock'N Roll while laughing. Mom was teaching you some steps, her eternal pristine smile fixed on her face.

"Oh, Ben, you’re here! Do you want to give it a try?"

You jumped at the sight of your brother and suddenly disappeared, your cheeks turning red.

"Y/N, show yourself…" Grace sighed, amused.

"Yeah, you were doing great!" exclaimed the young boy.

You reappeared, looking at him with hesitation.

"Really?"

"Cross my heart!"

"Alright, kids, let's continue! Take my hand and follow my steps!"

So you listened to him, dancing awkwardly on the living room carpet. Your siblings watched you from the walkway. At one point, Ben let go of Mom and made his tentacles appear. He began making sort of waves in rhythm, which made everyone laugh. Your father and Pogo were in the surveillance room. The chimpanzee glanced at his master: he was smiling discreetly. Eventually, all the other children came to join you, even Viktor, who had always felt excluded. These moments of joy and freedom were rare. Your gaze met Ben's, sparkling. So, this was happiness.

After Ben's death, whenever you felt sad, your radio would turn on by itself to play that eternal song, warming your heart. Much later, Klaus told you that Ben's ghost had been watching over you and, not wanting to scare you, this was the most discreet way to comfort you.

VIKTOR

On this September 6th, 1997, everyone felt relaxed because it was Saturday, and every first Saturday of the month was a day off for the Umbrella Academy. No training until Monday. Of course, the children were encouraged to study, but that was certainly not on your mind, nor on Viktor's. As you were watching TV, sitting on the floor, a news flash interrupted your documentary on Canadian otters. Lady Diana's funeral was being broadcast live from London.

"She was so beautiful," you sighed, resting your chin on your knees, which were encircled by your arms.
"I'm sure it wasn't an accident," Viktor murmured conspiratorially, looking absent-minded.

His pale face suddenly lit up, and he immediately straightened.

"Look! It's Elton John!"

Immediately, you pressed your little noses against the screen to watch the singer enter the abbey. The presenter announced that he was going to sing a final tribute to his late best friend.

"Move away from the screen, you'll hurt your eyes," Grace gently instructed, holding a tray filled with cookies.

“Mom! Can you record this, please?" you exclaimed without even turning around.
“Of course, Number 8," she replied.
"Imagine if we could play this song ! You with the violin and me with the piano !" you giggled.

Viktor nodded with a large smile, still absorbed by the man's performance. Ever since, you've watched repeatedly the tape Grace made you, learning the partition thanks to your perfect pitch. You'd usually play along to distract your father who appreciated it. Oh he never said so but his silence was quite approving.

[drifting-pieces-blog-blog]

Oh, there is some discourse about Oscar Isaac playing the mk system because he is not jewish. I have no say in the matter as I am not jewish, so I thought I'd ask

Oh! Okay! I'm willing to bed you are the same anon that sent this ask? Or maybe not and just someone with similar questions.

Well, Moon Knight came out over two years ago now. So most of the discourse over it is pretty old news at this point. If it is starting up again, it's just beating a dead horse. Or maybe there are new fans that are just blazing their own trail and not checking out that neat trail that's already been blazed.

Either way, I'm not upset about it. Learning is learning and I'm here for questions.

SO! Let's get into it!

Now, this may surprise a few of you… But I'm not Oscar Isaac. I know… I know… A real let down. This means that I can't speak on his behalf and everything I say is what I have picked up, and could be wrong.

As far as I am aware, he is not a practicing Jew. Meaning, he probably doesn't go to Shul or keep the Sabbath. He might! I don't know. I also don't know if he's Catholic or Christian or how he was raised or what his current belief system is… If it is on Wiki somewhere, I still can't say I know because how do you Wiki someone's personal religious beliefs?

What I DO know… He has Jewish Ancestry!

These quotes are taken from two interviews that are easily looked up on Google:

When asked how he felt about playing an Orthodox Jewish man for "Inside Llewyn Davis" (not his first or last Jewish role), here was his responce:

“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully."

Isaac referenced the fact that he has some Jewish heritage on his father’s side.

Of his roots, Oscar said, “My grandfather was French in Guatemala and my father is Cuban but he grew up in the States as well. I came to the States when I was five months old and I grew up my entire life mostly in Miami, between Miami and New York.” He is the third Oscar in the family. “My father and my grandfather were both named Oscar,” he revealed. “I am the third Oscar. It’s from the Academy Awards. Isaac is Jewish from my father side. I am definitely a big mix of many things.”

Now, I COULD get into semantics. His Jewish ancestry comes from his father's side and there is discourse in the Jewish system on Patrilineal vs. Matrilineal and what makes a Jew a Jew. I'm not going to get into that because it has WAY more involved than I'm willing to get into and that is probably why Oscar asked the "How Jewish are you?" question (He's known to be cheeky and that could be taken as a very cheeky question).

In MY books, If you have Jewish ancestry and you acknowledge it and consider it a part of you, then you are worthy of playing all the Jewish people you want in movies/shows/plays. ....As long as you are respectful and do your best to do it right.

And that is what I love about Oscar. He WANTS to get it right. He wants to honor the parts he plays and he understands when he has an important part that needs to be done right and with care.

Now, Oscar doesn't have DID (as far as I am aware), but he did the research and connected with people that Do have DID to make sure he offered a fare and honest and respectful tribute to it. Is it going to fit everyone with DID's shoes? No. But it is a very multi(LOL) colored disorder that presents in many different ways and because it is a Show meant to be visual to an audience that doesn't understand how it works, of course he's going to have to play it up a bit and the editors and directors are going to have to add flourishes that don't always agree with everyone so that we, a visual and auditory audience, can see a representation of this disorder that we can understand.

You know what's fun about being Jewish? You don't have to see it or hear it to demonstrate someone is Jewish. I can watch almost any movie or show and go "That guy's Jewish." How do I know? I don't. But in my head, he's now a Jewish character and I'm connecting to him that way.

You know what they DID do in Moon Knight? Oscar wore a Star of David necklace. There was a mezuzah on Steven's door. Steven had a Shabbat table set up. Steven is a Vegan to avoid having to risk not eating Kosher.

(I see Shabbat candle, decorative Menorah, and a Kiddish cup. I really hope he moves those (should be two but we only see one, Maybe it's behind the other) candles before he lights them. His fire hazard apartment gives me anxiety. Let's just hope his Havdalah candle doesn't set the place ablaze).

They could have done more to show his casual Jewish life, but you don't need to. This is Steven Grant pretty much living a Jewish life. I'm not sure what people were expecting him to do? Dance the Horah and have Peyot? This is more than what Comics Moon Knight has done to show his Jewish side for a LONG time (minus some good runs in the OG run and Recent MacKay run).

Anyways, I'm not sure who did decide to toss in those little details, but I deeply appreciate them and love them for it. And I love that Oscar is aware of and acknowledges his heritage. Not only that, but that he strives to represent it in a truthful and honest way.

Anyways, I hope that answers your question... There's a lot I could get into, but others have honestly done it better ages ago.

Is Oscar a Jewish man? I don't know. Probably not? BUT... If he suddenly said "I'm Jewish" I'd welcome him to the tribe with open arms. I think he's earned a little Challah. He's certainly a Mensch in my book.

[edutainer2022]

Sending hugs and strength as always.

I’d love to know any thoughts you have about the Tracys as kids in the happy times. What do you think they got up to? Do you headcanon the farm / ranch / some other Kansas home? Or did Jeff and Lucy live somewhere more built up / accessible to NASA? What were the kids’ hobbies? What would a family day out have looked like?

Oh, @idontknowreallywhy, thank you for the ask! I actually tend to go hazy on the boys' childhood, because the way kids work is not my forte. In my heart of hearts, I see them as latchkey kids of nondescript rural/smalltown US. A meadow outside the backyard, long bus commutes to school. A kind of chaotic but tight and warm, fun, quirky world, reigned supreme by their mother. Think Gilmore Girls, but a single mother of three boys, initially. With Jeff space-cowboying it would be just her and the back to back eldest three for quite some time.

Also think The Sound of Music - she's the one with piano and art. And the horses. There were sing alongs and movie marathons, and board games, and junk snacks, and bake offs, and magic in that household. That's why I also think, much as Scott worships and seeks approval of a (always away) father, he was Mom's right hand and White Knight. Mom's champion and deputy in wrangling the younger brothers. There would, of course, be SHENANIGANS. Sometimes Mom Tracy would just discover zen of a boys mom and have a glass of red on hand.

Since we have Gran Roca, I also sometimes think Yellowstone. She's the one from old(er) Manifest Destiny ranching money. She knows how to get her hands dirty, but it's removed from Jeff's first generation off the farm experiences. She sees the help, but she's also used to having them around - hence the five kids without batting an eye, given Jeff's military/space career. That would quite organically convert into the boy's we know - humble, generous, approachable, but somewhat sheltered.

I also think that Jeff's soaring wealth, Mom's untimely demise and grief buried in work, would spell something like a Warton Academy. Maybe not a full on boarding school, but a posh prep school with Ivy League pipeline and uniform blazers with embroidered crests. At least for the elder three's high school stretch. That would also, probably, mean shifting base to a bigger city and a dramatic change of pace in the boys' routine.

The boys hobbies? Scott is obviously a Rescue Scout extraordinaire. He's never met a sport he wasn't good at. But I also think School Parliament, Speech and Debate, maybe ROTC (to fit a military stint with my understanding of the timeline). Scott is earmarked for leadership and high pressure operations early on. National Honors Society, hands down. Dad would never tolerate anything less than excellent and Scott intended to be EVERYTHING Dad was - including space track. Calculus may actually be his "nerdy guilty pleasure". I also absolutely don't see how Mom didn't teach him the piano first. It likely didn't go far, but he gets by at the keyboard.

Virgil is the music and arts kid, obviously. He probably followed Scott into many hobbies and clubs, originally, but his strengths and disposition are just so obviously different.

John loves school. The more school - the merrier. Coding, and astronomy, and physics. Languages on the side. Gifted program. The Big Bang Theory worthy combo of Supreme nerd-dom. I'd say music too - comes with the territory of good ear for languages. Sports by necessity - to keep up with the original Turbo Twosome, and to get space rated. He came to actually enjoy sports, on his own terms.

Come to think of it, the Elder Trio are a token comical display of the Prom King always flanked by two sidekicks, who embody the very definition of "geeky uncool". In hindsight, John is sometimes amazed that Scott actually ENJOYED hanging out with them and did so by choice. Still does so.

[tangerrinds]

Some fics I’m writing atm-

“Too Risky” - Goldenheart fic where if Nimona wasn’t the one to let Ballister out of prison. Instead he escaped by himself and snuck past the gaurds. Then he ran into ambrosius, but people still don’t know Ballister escaped so there’s no one to interupt them. They try and talk but when they hear some knights coming up the hall, Ambrosius pulls Ballister into a corner to hide them, then asking if they can go somewhere more private. Then something something they decide to go back to Ballisters lair and ambrosius stays the night (no there’s no smut, purely angst and fluff) (also there’s no nimona at all in this)

“Who’s this?” - A fic where Medrith locks Movie and Comic goldenheart in a room together, and while the Ballisters talk about science, their versions of Nimona, etc, comic ambrosius acidentally overshares and tells Movie ambrosius about how much of a dick he is, and they fight.

A Little Death- Ambrosius and Ballister growing up together, once as rivals, friends, and then themselves.

“Selling the News” - an OC story (mostly a writing test to see where I wanna go with these guys)

It’s just days after Kirous was challenged to a duel with Sam and won, proving herself worthy to join talstim academy. But after Sam was back on her feet, she began to tell people about how Kirous had ‘fought dirty’ and didn’t deserve to make it out of that duel, and with Sam being a high ranked and well respected student, people believed her. Time skip to the explosion, how it affects the students at the academy, how it affects Kirous, Mika, their relation ship, and how Kirous has nothing to do but run.

[maytheleiabewyou]

Analysis of the German gay film #freierfall / #freefall PART 4

For the 10th anniversary (omg! 10 years already!) (11 now because its 2024!) of one of my favorite movies I decided to make an analysis of the film and especially of the scenes between these two great actors.Max Riemelt and Hanno Koffler. Kay and Marc. Marc and Kay. I hope you like it and that above all it serves to encourage the creators to give us that long awaited second part.

HERE IT IS PART 4:

I'm baaaack! Sorry for the delay <3 I would have liked to upload this fourth part as a christmas present but well now you could say it's a late valentine's day present hehe

Remember where we left it? :)

I promised myself I was going to only talk about these two ignoring all the plot with Marc's wife pregnancy but I think its necessary to mention it. This wonderful kiss in the woods happened MEANWHILE! (although here Kay did not know it yet!) After this scene there are a couple more that do not involve these two = boring. haha Scenes that Marc tries to convince himself how good is his life and how lucky he is. #whoareyoutryingtofool

After training at the police academy comes the action! And of couuuuurse Kay had to go to the same unit as Marc. Fact that Marc did not seem to like it at all.

+What are you doing here? (Marc) -I'm glad to see you too (Kay)

The first time I saw the movie I thought Marc was going to kiss Kay furiously. The next few times I watched this scene I felt sorry for Marc and how he deals with his frustrations with violence and is not able to face these new feelings in a normal way. But now, I see this scene and I really feel sorry for Kay. He doesn't deserve to be treated like that and even less for saying what we all think (that Marc is quite happy to see him again). It is true that for Marc this meeting is the last thing he needed. But just because he is afraid.

Time for Kay to find out he will be an uncle? hahah

oKAY its true that Kay's expression is everything in this scene but look at Marc! He is saying so much without talking! He is between shy, serious (not smiling at all even though Bettina is happy talking about baby) and kind of afraid that Kay found out? Look how for a moment he looks away and immediately looks at the ground as if avoiding Kay.

The dialogues here are key to understand everything. First of all neither Kay or Marc greets each other (where are your manners guysss)

-scary huh? (Says Bettina due to Kay's facial expression)

And then nobody talks about it anymore. Kay and Marc can't say anything else. They just glance at each other but inside a whole of emotions are going on.

Blessed the existence of men's bathroom that allows the two of them to be alone for a moment!

Kay is spechless. He speechless? I know. So Marc looks at him and says:

+yes, that's how things are (as Kay cared about that HAHAH)

Fun fact: after this scene they go home and Bettina asks Marc about Kay. And while Marc can only say bad things about Kay, Bettina is like "he seemed nice to me" hahaha

Now comes the moment we all were waiting for! Pure authenticity

After Marc again being violent with Kay in an exercise, Kay approaches him gently and just is honest with Marc:

AND WE ALL KNOW WHAT HAPPENS WHEN THEY GO JOGGING, RIGHT?

I know you will hate me right now but Im ending this part here haha! So the wait for the next part will be more than worthy!!!

ps: Thanks for all the feedback from the previous publications and to the owners of the gifs I used. Also, here you have the previous parts in case you missed them <3

[cameoamalthea]

Dumb Post about Senator Mark Kelly

Usually I make Dumb Posts about animals, BUT Election 2024 is important and Harris is going to pick her VP soon so I want you to know about Mark Kelly.

The coolest, most meme-worthy politician ever, through shear awesomeness

Mark Kelly is the result of a cloning project to create the coolest VP candidate ever

Ok - that's not true, he's just an identical twin whose brother is also an astronaut (and yes, he's an astronaut, but that's not all)

SCIENTIST, PILOT, WAR HERO

He received a Bachelor of Science in marine engineering and nautical science from the United States Merchant Marine Academy, graduating with highest honors in 1986. In 1994, he received a Master of Science in aeronautical engineering from the U.S. Naval Postgraduate School.

As a Navy Aviator he flew 39 combat missions in Operation Desert Storm.

Kelly has received two Defense Superior Service Medals; one Legion of Merit; two Distinguished Flying Crosses; four Air Medals (two individual/two strike flight) with Combat "V"; two Navy Commendation Medals, (one with combat "V"); one Navy Achievement Medal; two Southwest Asia Service Medals; one Navy Expeditionary Medal; two Sea Service Deployment Ribbons; a NASA Distinguished Service Medal; and an Overseas Service Ribbon.

Distinguished Flying Crosses are a BIG DEAL. You pretty much only get those for doing something's that’s worth making into a movie scene and he has TWO!

ASTRONAUT

Mark Kelly has logged over 54 days in space.

His Twin brother spent a YEAR IN SPACE (that's his brother on the cover - probably - but you get the idea that he also looked cool as an astronaut - and if you're wondering why he wasn't in space for a year, I'll get to that but the cool thing is cause he was retired while his brother was in space for a year he was the control in a twin study on the effects of being in space for a year)

That's probably also his brother, it's hard to google pictures when you have two identical twin brothers in space.

That's also Mark's twin brother Scott, because Mark smuggled a whole ass Gorilla Costume onto the International Space Station so his brother could go on a Gorilla rampage as a prank.

OK here he is

That's Mark Kelly!

My point is he's an astronaut, he's been to space, and the reason he left all that behind will bring you to tears and make you love him.

He's Mr. Gabby Giffords

Gabby Giffords served as a Congresswoman from Tucson, Arizona. When Giffords was sworn in on January 3, 2007, she was the third woman in Arizona's history to be elected to serve in the U.S. Congress and was a Democrat elected in a very Republican district.

When I met her she was very Mom Shaped. She took care of the community and cared about her constituents. To the point that she would fly to Arizona from Washington DC to do events where she would just be out on a street corner where you could go talk to her.

On January 8, 2011, at a “Congress On Your Corner” constituent event in Tucson, Gabby was shot in the head by a gunman who killed six people and injured 12 others. 

At the time Mark Kelly was Cammander of the STS-134 he penultimate mission of NASA's Space Shuttle program and the 25th and last spaceflight of Space Shuttle Endeavour.

He stayed by his Wife's side for a month, when it was clear she was making progress in her recovery he announced on February 4, 2011, that he would remain commander of the mission. This would be his final mission.

He sent a love song to his wife from the International Space Station in the form of dedicating a song:

On June 21, 2011, Kelly announced that he would leave NASA's astronaut corps and the U.S. Navy effective October 1, to be with his wife and support her through her recovery:

Kelly became an outspoken advocate for gun control following the attempted assassination of his wife.

Still he dreamed of returning to space and worked out to keep his body mission ready.

"Kelly eventually compares everything to his time with NASA. As commander, he managed a small team of astronauts and worked within a sprawling bureaucracy. Every day pointed toward the same goal. There were checkpoints and to-do lists. The mission offered a clear dividing line between success and failure.

“It’s a very well-defined criteria of success,” Kelly said"

In 2020 he began a new mission serving as Senator for Arizona. A Moderate, he won twice in a swing state and would like draw some Republican voters who don't love Donald Trump over to the Harris ticket, should she choose him as VP.